Heinäk… elok… 140 mrk…

THE SALVATION (DK+'14): Western past(a)iche w/Mads subbing in for Clint. Occasionally dull, CGId look. Kinda rapey (offscreen). — Olli Sulopuisto (@osulop) July 9, 2014 THE CONGRESS (FR/IL'13): Ambitious scifi thinker bites off more than it can chew, methinks. Liked the Hollywood satire, tho. — Olli Sulopuisto (@osulop) July 9, 2014 DAWN OF THE PLANET OF …

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HOW TO TRAIN YOUR DRAGON 2 (US'14): Perfectly serviceable drama about growing up. (I cried a bit at the brave animated dragon. I'm gone.) — Olli Sulopuisto (@osulop) June 11, 2014 THE DOUBLE (UK'13): The guy's id turns out to be a dick in a movie with LOUD design in every aspect. (Chris Morris!) — …

Toukokuun elokuvat toki 140 mrk paloina juu

GODZILLA (US'14) has touches of Spielbergian brilliance in spatial coherence, visual indexes and pacing of moments; utterly silly, of course — Olli Sulopuisto (@osulop) May 12, 2014 X-MEN: DAYS OF FUTURE PAST (US'14): The future timeline's a vermix, infodumps terrible, '70s design overwrought etc. MVP Fassbender (duh). — Olli Sulopuisto (@osulop) May 13, 2014 EDGE …

Huh. Ti. Kuu. E. Lo. Ku. Vat.

SNOWPIERCER (KR'13): This is how you do a comic book film. Tone, design, acting, metaphor, narrative in perfect balance in a closed system. — Olli Sulopuisto (@osulop) April 9, 2014 LOVE & ENGINEERING (FI'14): Structurally: nevermind, but it does have some exquisite squirmy human moments. (And co-stars my Mac repair guy) — Olli Sulopuisto (@osulop) …

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L'ANNÉE DERNIÈRE À MARIENBAD (FR'61): Tried to abstain from 'why/what' but afraid I didn't entirely succeed; gorgeous women, b&w; f'n organs — Olli Sułop̶ui̕st͏o (@osulop) March 7, 2014 NEED FOR SPEED (US'14): Fast cars, almost legible cinematography, lumps of meat discussing vapidly, going across America. Coulda been worse. — Olli Sułop̶ui̕st͏o (@osulop) March 8, 2014 …