STAR WARS EP1 3D: So why didn’t Lucas spend his money on remaking this into a good film?
— Olli Sulopuisto (@osulop) February 6, 2012
Arvio Domessa.
HÄRMÄ (FI’12): Western set in 19th C Finland suffers from weak script and the most horrifying color grading I’ve ever seen.
— Olli Sulopuisto (@osulop) February 9, 2012
Arvio Domessa.
KOHTA 18 (FI’12): The film feels like it was influenced by Skins, but I don’t mean the OTT plots but the feeling of veracity. Excellent.
— Olli Sulopuisto (@osulop) February 9, 2012
HUGO (US’11) is such a heartfelt love letter to the magic of cinema it’s impossible not to love it. A huge movie that feels very personal.
— Olli Sulopuisto (@osulop) February 10, 2012
Arvio Domessa.
THE GREY (US’12): Zero calorie philosophizing and my new favourite Winter movie, despite the obligatory ”taking my gloves off” bits.
— Olli Sulopuisto (@osulop) February 13, 2012
HAPPY END (SWE’11): Runge’s (still) interested in people who are being beaten down figuratively and literally. Gorgeous colour, deep shadows
— Olli Sulopuisto (@osulop) February 15, 2012
HAPPY END: The acting is impeccable as always. Especially liked Ann Petrén, who has a perfectly cinematic face.
— Olli Sulopuisto (@osulop) February 15, 2012
KULMAN POJAT (FI’12) has a fun 1st act then boggles down to run of the mill romcom blandness. Many, many, many jokes about cocks big & small
— Olli Sulopuisto (@osulop) February 15, 2012
TÄHTITAIVAS TALON YLLÄ (FI’12): Interwoven stories of 3 generations of women, heavy on theme & light on narrative momentum.
— Olli Sulopuisto (@osulop) February 22, 2012
CHRONICLE (US’12): High school drama segues into ubermench morality. Mostly consistent if somewhat overwrought found footage concept.
— Olli Sulopuisto (@osulop) February 23, 2012
FEMMES DU 6e ETAGE (FR’11): Capitalist exploits, subverts foreign workers &love comes tumbling. Luchini kills in this.
— Olli Sulopuisto (@osulop) February 23, 2012
Luku: 26