GREENBERG (US’10): Were I asked to light a fiction film and had I the knowledge, this is how I’d do it.
— Olli Sulopuisto (@osulop) May 1, 2013
JURASSIC PARK (US’93): A post-conv 3D reissue. Some thoughts on the great bits and the Spielbergianisms, which mightn’t be as great, but.
— Olli Sulopuisto (@osulop) May 2, 2013
BEYOND THE BLACK RAINBOW (CA’10): Scanners meets New Age. ’70s design rules. ECUs and colored gels. A series of static images. Molasses.
— Olli Sulopuisto (@osulop) May 2, 2013
GALAXINA (US’80): There isn’t a single shot, gag, joke, camera move or scene that hasn’t been needlessly extended–even the arthritis joke.
— Olli Sulopuisto (@osulop) May 2, 2013
ABBOTT AND COSTELLO MEET FRANKENSTEIN (US’48): My 1st A&C film. Could this be the 1st horror comedy/spoof? Miles funnier than Scary Movie V.
— Olli Sulopuisto (@osulop) May 3, 2013
SPRING BREAKERS (US’12) James Franco = bass drop
— Olli Sulopuisto (@osulop) May 14, 2013
GHOST RIDER 2 (US’12): Almost subtle by N/T standards, few primo Cage-outs. Hope they make a sequel so he gets to ride a flaming camel.
— Olli Sulopuisto (@osulop) May 17, 2013
EPIC (US’13): Script (silly, clichéd, borderline offensive) vs design (miniature effect & flying in stereoscopic 3D)
— Olli Sulopuisto (@osulop) May 20, 2013
FAST & FURIOUS 6 (US’13): The screenplay was written by a penis.
— Olli Sulopuisto (@osulop) May 20, 2013
STAR TREK: INTO DARKNESS (US’13): Not entirely impressed with the direction of the franchise.
— Olli Sulopuisto (@osulop) May 23, 2013
AMERICAN VAGABOND (FI’13): Mildly interesting portrait of a down-on-his-luck gay man. Too much VO, shots of empty places.
— Olli Sulopuisto (@osulop) May 27, 2013
ONLY GOD FORGIVES (DK+’13): Serious Refn and serious Gosling in serious Bangkok for serious revenge with serious violence in serious red.
— Olli Sulopuisto (@osulop) May 30, 2013
NOW YOU SEE ME (US/FR’13): Reversal after reversal after reversal makes for a boringfilm.
— Olli Sulopuisto (@osulop) May 30, 2013
THE BLING RING (US’13): Coppola’s touch for portraying these kinds of people (nothing but vacuum) is excellent. But Super Rich Kids?
— Olli Sulopuisto (@osulop) May 30, 2013
KUMARE (US’11): The gimmick of this docu is to show that there’s a dozen gullible people in Phoenix, AZ.
— Olli Sulopuisto (@osulop) May 30, 2013
INVASION OF THE BODY SNATCHERS (US’78): My kind of scary movie – mood, location photography, physical fx, visual jokes, little gore.
— Olli Sulopuisto (@osulop) May 30, 2013
84 elokuvaa. Vähiin käy.