MESENAATTI (FI’13): Crisply edited talking heads paint a portrait (ha!) of a difficult person. Re-enacted footage superfluous.
— Olli Sulopuisto (@osulop) June 4, 2013
APRÈS MAI (FR’12): ”We’re making agitprop. We don’t usually loan our equipment for fiction films.” Which one are Nazi dinosaur movies?
— Olli Sulopuisto (@osulop) June 5, 2013
BEAU TRAVAIL (FR’99): I’m more drawn to the texture of the images than anything else.
— Olli Sulopuisto (@osulop) June 7, 2013
4 MONTHS 3 WEEKS 2 DAYS (RO’07): Perfect/ly terrifying.
— Olli Sulopuisto (@osulop) June 9, 2013
AFTER EARTH (US’13): CGI baboons chase an adolescent ego through Yosemite while a Scientologist superego guides him from beyond.
— Olli Sulopuisto (@osulop) June 11, 2013
PAIN & GAIN (US’13): Emphasis on the former part.
— Olli Sulopuisto (@osulop) June 12, 2013
LOS AMANTES PASAJEROS (ES’13): No movie with a lipsynched gay version of any song by The Pointer Sisters can be all bad.
— Olli Sulopuisto (@osulop) June 13, 2013
MAN OF STEEL (US'13): Now that this origin story business is out of the way, the sequel might be decent.
— Olli Sulopuisto (@osulop) June 17, 2013
THE INTERNSHIP (US'13): So much for 'Don't be evil.'
— Olli Sulopuisto (@osulop) June 18, 2013
DESPICABLE ME 2 (US'13): There's nothing there.
— Olli Sulopuisto (@osulop) June 19, 2013
SENNA (UK'10): It's a rather selective and manipulative narrative but then again, isn't that every narrative by definition?
— Olli Sulopuisto (@osulop) June 23, 2013
WORLD WAR Z (US'13) – Some notes from the undead holocaust follow.
— Olli Sulopuisto (@osulop) June 25, 2013
Summa: 96