Rewatched Skyfall. Good bits as good as I remembered, but the same goes for the silly stuff. Unbelievably gorgeous. Netflix's codec cried.
— Olli Sułop̶ui̕st͏o (@osulop) January 1, 2014
So, NYMPHOMANIAC. Should I go for the blue material immediately?
— Olli Sułop̶ui̕st͏o (@osulop) January 2, 2014
Loved the shot of Shia LaBeouf peeking from behind a penetrative act.
— Olli Sułop̶ui̕st͏o (@osulop) January 2, 2014
Loved the shot of Shia LaBeouf peeking from behind a penetrative act.
— Olli Sułop̶ui̕st͏o (@osulop) January 2, 2014
The 4-hour cut doesn't feature a Nazi rape orgy or zoofilia.
— Olli Sułop̶ui̕st͏o (@osulop) January 2, 2014
Von Trier quotes himself – the cunt-like doors (said it'd get blue) from Riget and the child left unsupervised from Antichrist. Maybe more?
— Olli Sułop̶ui̕st͏o (@osulop) January 2, 2014
Was kinda sorta reminded of Kael on Last Tango. Mainstream (well…) cinema being able to wrestle with sexuality and what not.
— Olli Sułop̶ui̕st͏o (@osulop) January 2, 2014
COMPUTER CHESS (US'13): The period visuals and production design and formalist tendencies mash nicely, actors in lovely form, but theme? Hmm
— Olli Sułop̶ui̕st͏o (@osulop) January 3, 2014
12 YEARS A SLAVE (UK/US'13): Black bodies as matter. Am I only imagining it felt more remote than previous McQueen features?
— Olli Sułop̶ui̕st͏o (@osulop) January 9, 2014
AMERICAN HUSTLE (US'13): Conning yourself > friends > everybody. J-Law's presence > Bale's whispering. Louis CK's hair > Adams's intraboob
— Olli Sułop̶ui̕st͏o (@osulop) January 10, 2014
LA GRANDE BELLEZZA (IT'13): Let's dolly and float in a symmetrical fashion through metaphors of art, man, Rome, Italy, faith. Blehhh.
— Olli Sułop̶ui̕st͏o (@osulop) 12. tammikuuta 2014
HER (US'13): Retrofuturistic design is lovely, Phoenix captivating. Luckily not a 'technology ruins us' piece but a simple break-up story.
— Olli Sułop̶ui̕st͏o (@osulop) January 14, 2014
JEUNE & JOLIE (FR'13)
A) She's too beautiful.
B) Don't have intercourse with Germans.
C) That kinda covers it.
— Olli Sułop̶ui̕st͏o (@osulop) January 15, 2014
DALLAS BUYERS CLUB (US'13): My McConaughey infatuation is at the point where I'll watch him chew his way through anything.
— Olli Sułop̶ui̕st͏o (@osulop) January 16, 2014
OPPIPOIKA (FI'13): Talk about a literal-minded, dull, one-note drama.
— Olli Sułop̶ui̕st͏o (@osulop) 17. tammikuuta 2014
JACK RYAN: SHADOW RECRUIT (US'14): More like Wack Ryan amIrite? Cranky old Cold War Clancy would've deserved better.
— Olli Sułop̶ui̕st͏o (@osulop) 20. tammikuuta 2014
AUGUST: OSAGE COUNTY (US'13): Family's the worst. Starring Meryl Streep as the world's greatest ham. MVP Julia Roberts.
— Olli Sułop̶ui̕st͏o (@osulop) January 22, 2014
INSIDE LLEWYN DAVIS (US'13): I rate this movie five out of five cats.
— Olli Sułop̶ui̕st͏o (@osulop) January 22, 2014
KUMMELI V ei ollutkaan parempi kuin Alivuokralainen.
— Olli Sułop̶ui̕st͏o (@osulop) January 23, 2014
THE BUBBLE (IL'06): Theme trumps story, character, other aesthetical aspects, but the last act still held my interest.
— Olli Sułop̶ui̕st͏o (@osulop) January 25, 2014
KORSO (2014): Onko ihminen ympäristönsä uhri vai voiko Korsosta nousta? Hyviä hetkiä, vahva fiilis, muissa palasissa klappia.
— Olli Sułop̶ui̕st͏o (@osulop) January 28, 2014
RUSH (UK/DE'13): Ron Howard is the Ikea Swedish Meatballs of directors. The quality of the product is decent and it always tastes the same.
— Olli Sułop̶ui̕st͏o (@osulop) January 31, 2014
17 kpl.