RAW DEAL (US’86) is an abject failure and not even an interesting one. Peculiar music choices.
— Olli Sulopuisto (@osulop) May 5, 2012
THE DEEP BLUE SEA (UK’11) Exquisite heartbreak of the most beautiful kind. Everything in wonderful harmony from the 1st shot onwards.
— Olli Sulopuisto (@osulop) May 10, 2012
Dome.fi: Diktaattori
FRIENDS WITH KIDS (US’11) asks if a couple can have a baby together and still stay just friends. TAKE A BLOODY GUESS.
— Olli Sulopuisto (@osulop) May 15, 2012
LE SKYLAB (FR’11): How’s it even possible for a two-hour non-experimental film to work this well with practically no narrative?
— Olli Sulopuisto (@osulop) May 15, 2012
PIRANHA 3DD (US’12)serves as a sorry reminder on the impossibility of creating kitsch on purpose.
— Olli Sulopuisto (@osulop) May 16, 2012
DRIVE ANGRY (US’11): Was expecting vintage car chases and vintage Nic Cage anger. Got neither.
— Olli Sulopuisto (@osulop) May 26, 2012
BROADCAST NEWS (US’87): Given the setting, the themes, the actors, and the writing, it’s no surprise I was smitten.
— Olli Sulopuisto (@osulop) May 27, 2012
SNOW WHITE & THE HUNTSMAN (US’12): A fairy tale executed in a gritty, Gladiator-ish way. Looks fine, has no sense of humour.
— Olli Sulopuisto (@osulop) May 28, 2012
CLOUDY WITH A CHANCE OF MEATBALLS (US’09): Once again proves that silly physical comedy never gets old. Gorgeous design, too.
— Olli Sulopuisto (@osulop) May 28, 2012
VIDEODROME (CA’83): Peculiar how after 30 years the physical sfx still work flawlessly but the synthesized score is unbearable.
— Olli Sulopuisto (@osulop) May 28, 2012
EL TOPO (MX’70): Areolæ, blasphemy, eros, imagery, mammal genocide, the sound design, surrealism, thanatos. How could you not be impressed?
— Olli Sulopuisto (@osulop) May 29, 2012
MISS FARKKU-SUOMI (FI’12) Teinipoika muuntautuu rockidoliksi. Empaattinen, ei nostalginen kuvaus 70-luvun Suomesta. Toimii.
— Olli Sulopuisto (@osulop) May 30, 2012
PROMETHEUS (US’12) Okay, so that’s what they meant by it not being a prequel butstill being set in the same world.
— Olli Sulopuisto (@osulop) May 30, 2012
PORCO ROSSO (JP’92): The quintessential Miyazaki film? Beautiful beyond all measure: distortion in the wine, tie clip, viewfinder reflection
— Olli Sulopuisto (@osulop) May 31, 2012
NETWORK (US’76): Wow. The first hour is flawless, the second one a terrific brick-a-brack of such great scenes. (2nd viewing)
— Olli Sulopuisto (@osulop) May 31, 2012
Luku: 63