Kokeilen nyt tällaista järjestelyä, jossa kokoan Twitteriin oksentamani 140 merkin ajatuspallerot yhteen paikkaan. Engelskaa ovat juu, mutta that’s how I roll.
RED FOREST HOTEL (FI’11) is an uneven mix of how Sino-Finnish corporate politics and Chinese media control works.
— Olli Sulopuisto (@osulop) January 2, 2012
J. EDGAR (US’11)has enough exposition to fill a 5 hour film. Luckily it runs for only two and a half. Oh, J. was a closeted homosexual.
— Olli Sulopuisto (@osulop) January 3, 2012
THE IDES OF MARCH (US’11) has a medium rare script and a raw Gosling-just how I like ’em. It also has a fondness for CUs, which I do mind
— Olli Sulopuisto (@osulop) January 4, 2012
I thought the 3d look suited THE LION KING rather well. Terrible translation and the songs-ugh.
— Olli Sulopuisto (@osulop) January 13, 2012
CANNED DREAMS (FI’11) is an exceptional film. Love the way sound design melds w/the music. Symmetrical shots galore. A solemn experience.
— Olli Sulopuisto (@osulop) January 19, 2012
HULLUNA SARAAN (FI’11) is a bilingual romcom with a charming cast, light touch, tick the boxes script and a one thing at a time structure.
— Olli Sulopuisto (@osulop) January 19, 2012
(Sara on tietenkin vuodelta 2012.)
TAISTELU TURUSTA (FI’11): Liikaa puhuvia päitä, liian vähän dramaturgiaa, kronologia on tylsä narratiivi, nuoret hipit on turhia.
— Olli Sulopuisto (@osulop) January 20, 2012
VUOSAARI (FI’12): What do you mean Aku Louhimies has divorced?
— Olli Sulopuisto (@osulop) January 24, 2012
Sorry for the snark, as there’s more to the film, but I just couldn’t shake the feeling.
— Olli Sulopuisto (@osulop) January 24, 2012
. @MikkoPihkoluoma Though apparently there’s no happy sex in this world. And no way to not need sex desperately, either.
— Olli Sulopuisto (@osulop) January 24, 2012
. @MikkoPihkoluoma Yeah, scribbled down ”directing/actors/casting really good” in my notepad
— Olli Sulopuisto (@osulop) January 24, 2012
CARNAGE (EU’11): Few cheap shots aside (material girls), it’s perfect. Hard to imagine any theatre version could top this.
— Olli Sulopuisto (@osulop) January 25, 2012
THE DESCENDANTS (US’11) is very well made all around, but I just couldn’t connect. My problem, not the film’s.
— Olli Sulopuisto (@osulop) January 26, 2012
CAVE OF FORGOTTEN DREAMS (’11): In the beginning was the Image, for the Word of Herzog is for once underwhelmed. #docpoint
— Olli Sulopuisto (@osulop) tammikuu 26, 2012
Handheld 3d gives me a headache, however-and also-it’s a 3d must see.
— Olli Sulopuisto (@osulop) tammikuu 26, 2012
VIVAN LAS ANTIPODAS (’11) has many striking images, yet this cinema of attractions docu feels too long due to its rhythm #docpoint
— Olli Sulopuisto (@osulop) tammikuu 26, 2012
Lovely visual rhymes, though. The upside down image of Shanghai bikers is sheer magic. #docpoint
— Olli Sulopuisto (@osulop) tammikuu 26, 2012
HELL AND BACK AGAIN (US’11) doesn’t have anything that RESTREPO or ARMADILLO wouldn’t have already done better. #docpoint
— Olli Sulopuisto (@osulop) January 28, 2012
WAR HORSE (US’11): Would it be banal to say that Spielberg’s strengths and weaknesses stem from the same root? Loved it til the mill bit.
— Olli Sulopuisto (@osulop) January 30, 2012
Is it possible to be both elegant and clumsy at the same time? As in Spielberg gets his point through, but it can feel insufferably naive
— Olli Sulopuisto (@osulop) January 30, 2012
I’m conflating at least three things: the artist’s method, his sensibility and my reading of the film. Still.
— Olli Sulopuisto (@osulop) January 30, 2012
TINKER TAILOR SOLDIER SPY (’11): Precise. Meticulous. Controlled. Brown. Back of the head. Framed. Hook, line and sinker.
— Olli Sulopuisto (@osulop) January 31, 2012
LE SILENCE DE LA MER (FR’49): Please help me understand this film.
— Olli Sulopuisto (@osulop) January 31, 2012
@villetikkanen The structure, the voice-over, the visuals, the acting, the monologues… it’s bizarre, bizarre, bizarre.
— Olli Sulopuisto (@osulop) January 31, 2012
16 filmiä yhteensä.