MUN MOT MUN (SV’05): Runge isn’t interesting b/c he deals with depressing themes but because of his deft touch.
— Olli Sulopuisto (@osulop) March 5, 2012
JOHN CARTER (US’12): Nice CG, shame about the story.
— Olli Sulopuisto (@osulop) March 5, 2012
CONTRABAND (US’12): Ribisi’s the world’s least convincing criminal, but Wahlberg as a badass? That I buy. Solid if unremarkable genre piece.
— Olli Sulopuisto (@osulop) March 7, 2012
VARES: UHKAPELIMERKKI (FI’12) Yes, I got paid.
— Olli Sulopuisto (@osulop) March 12, 2012
Arvio: Dome.fi
OM JAG VÄNDER MIG OM (SV’03): Made a smaller impact the 2nd time around; been watching Runge’s films in reverse chronological order
— Olli Sulopuisto (@osulop) March 12, 2012
TAISTELU NÄSILINNASTA 1918 (FI’12) Lovely score by Yari, irritating handheld cinematography. Personal stories lost in a sea of gray coats.
— Olli Sulopuisto (@osulop) March 15, 2012
HUNGER GAMES (US’12)Dystopian Imperial America does Running Man. Mostly enjoyable, handheld CU action scenes unintelligible as usual.
— Olli Sulopuisto (@osulop) March 22, 2012
PIRATES! (UK’12) is full of prime Aardman gags. It looks breathtaking, maybe even too much so, as it loses some of the handmade charm.
— Olli Sulopuisto (@osulop) March 23, 2012
Arvio: Dome.fi
MIRROR MIRROR (US’12): Light on character & story, heavy on tone (par for Tarsem), but also light on style (outlier for Tarsem).
— Olli Sulopuisto (@osulop) March 26, 2012
TITANIC 3D (US’97/’12) Know what? It actually ain’t a bad movie. To my surprise the 1st half works better than the sinking.
— Olli Sulopuisto (@osulop) March 30, 2012
JANE EYRE (UK’11): Wasikowska is incredible, costume drama restraints fit her well. Nicely gothic.
— Olli Sulopuisto (@osulop) March 31, 2012
Luku: 37