Arvostelu: Only God Forgives on kovin vakava kostokuvitelma
Nicolas Winding Refnin infernossa punainen valo maalaa kaikkien kasvot verisiksi ja matalaääniset rummut sykkivät kuin aukileikattu laskimo. Mikä tarkoittaa suomeksi sitä, että Only God Forgives on helppo tunnistaa tanskalaisohjaajan teokseksi sekä hyvässä että pahassa.
Elokuvallisia huomioita maailmalta 4.06.2013 – 5.06.2013
- Life Inside The Whedonverse –
- Cannesin tuliaisia Suomen elokuvateattereihin | SESSIO – tämähän vaikuttaa hyvältä
- Alien and The Nostromo EVA Laser Pistol –
Elokuvallisia huomioita maailmalta 31.05.2013 – 4.06.2013
Lyhyesti toukokuun elokuvista
GREENBERG (US’10): Were I asked to light a fiction film and had I the knowledge, this is how I’d do it.
— Olli Sulopuisto (@osulop) May 1, 2013
JURASSIC PARK (US’93): A post-conv 3D reissue. Some thoughts on the great bits and the Spielbergianisms, which mightn’t be as great, but.
— Olli Sulopuisto (@osulop) May 2, 2013
BEYOND THE BLACK RAINBOW (CA’10): Scanners meets New Age. ’70s design rules. ECUs and colored gels. A series of static images. Molasses.
— Olli Sulopuisto (@osulop) May 2, 2013
GALAXINA (US’80): There isn’t a single shot, gag, joke, camera move or scene that hasn’t been needlessly extended–even the arthritis joke.
— Olli Sulopuisto (@osulop) May 2, 2013
ABBOTT AND COSTELLO MEET FRANKENSTEIN (US’48): My 1st A&C film. Could this be the 1st horror comedy/spoof? Miles funnier than Scary Movie V.
— Olli Sulopuisto (@osulop) May 3, 2013
SPRING BREAKERS (US’12) James Franco = bass drop
— Olli Sulopuisto (@osulop) May 14, 2013
GHOST RIDER 2 (US’12): Almost subtle by N/T standards, few primo Cage-outs. Hope they make a sequel so he gets to ride a flaming camel.
— Olli Sulopuisto (@osulop) May 17, 2013
EPIC (US’13): Script (silly, clichéd, borderline offensive) vs design (miniature effect & flying in stereoscopic 3D)
— Olli Sulopuisto (@osulop) May 20, 2013
FAST & FURIOUS 6 (US’13): The screenplay was written by a penis.
— Olli Sulopuisto (@osulop) May 20, 2013
STAR TREK: INTO DARKNESS (US’13): Not entirely impressed with the direction of the franchise.
— Olli Sulopuisto (@osulop) May 23, 2013
AMERICAN VAGABOND (FI’13): Mildly interesting portrait of a down-on-his-luck gay man. Too much VO, shots of empty places.
— Olli Sulopuisto (@osulop) May 27, 2013
ONLY GOD FORGIVES (DK+’13): Serious Refn and serious Gosling in serious Bangkok for serious revenge with serious violence in serious red.
— Olli Sulopuisto (@osulop) May 30, 2013
NOW YOU SEE ME (US/FR’13): Reversal after reversal after reversal makes for a boringfilm.
— Olli Sulopuisto (@osulop) May 30, 2013
THE BLING RING (US’13): Coppola’s touch for portraying these kinds of people (nothing but vacuum) is excellent. But Super Rich Kids?
— Olli Sulopuisto (@osulop) May 30, 2013
KUMARE (US’11): The gimmick of this docu is to show that there’s a dozen gullible people in Phoenix, AZ.
— Olli Sulopuisto (@osulop) May 30, 2013
INVASION OF THE BODY SNATCHERS (US’78): My kind of scary movie – mood, location photography, physical fx, visual jokes, little gore.
— Olli Sulopuisto (@osulop) May 30, 2013
84 elokuvaa. Vähiin käy.