Elokuvallisia huomioita maailmalta 4.05.2014 – 11.05.2014
- Turhapuro-elokuvien välivuoden 1989 syy paljastui: Spede ja Finnkino riitaantuivat – Ei olisi Vääpeli Körmy -elokuvia ilman tätä.
- Hong Kong’s Prime Movers A-Z (Film Comment) –
- The Upside-Down Math of Film Subsidies – Businessweek – There could be better uses for the money. The studies also don’t always take into account what amounts to an “opportunity cost” of using money to help the film industry when those funds could be going to other, more cost-effective efforts. “For example, the state could have used the $100 million instead to provide additional funding for early childhood education or inmate rehabilitation,” the LAO concludes.
Elokuvallisia huomioita maailmalta 30.04.2014 – 4.05.2014
Netflixin motivoiva vihannes
Vuoropuhelu Hannibal-sarjan ensimmäisestä jaksosta:
Lyöntivirheille ei saisi nauraa, mutta tämä on poikkeuksellisen briljantti.
Huh. Ti. Kuu. E. Lo. Ku. Vat.
SNOWPIERCER (KR'13): This is how you do a comic book film. Tone, design, acting, metaphor, narrative in perfect balance in a closed system.
— Olli Sulopuisto (@osulop) April 9, 2014
LOVE & ENGINEERING (FI'14): Structurally: nevermind, but it does have some exquisite squirmy human moments. (And co-stars my Mac repair guy)
— Olli Sulopuisto (@osulop) April 14, 2014
TRANSCENDENCE (US'14): Serious cast, super serious sheen, serious budget, serious tone, seriously silly script. Strong turkey potential!
— Olli Sulopuisto (@osulop) April 14, 2014
VENUS IN FUR (FR'13): Power play on a closed set that ends with someone tied to a cock-shaped cactus. Polanski directed it? Quelle surprise.
— Olli Sulopuisto (@osulop) April 16, 2014
THE AMAZING SPIDER-MAN 2 (US'14): The all-CGI action sequences are by far the most interesting part here.
— Olli Sulopuisto (@osulop) April 17, 2014
LOCKE (UK'13) aka Concrete Night–whahahha–is a theatrical character solo. Mostly for those who derive physical pleasure from seeing Hardy.
— Olli Sulopuisto (@osulop) April 25, 2014
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