Elokuvallisia huomioita maailmalta 7.12.2013 – 8.12.2013
Elokuvallisia huomioita maailmalta 27.11.2013 – 6.12.2013
- Silta ja erilaisen hahmon kirjoittamisen taito –
- The Survival of American Silent Feature Films: 1912–1929 – via @selfstyledsiren
- Pulp Friction of the Hollywood Trade Magazines – Over at The Wrap, Sneider posted “What’s the Deal? Stop Trying to ‘Change’ the ‘Fifty Shades’ Castings—It’s Pointless!” He laments to me that he is putting all his energy into casting stories. “But casting gets hits. Whether it’s Miley Cyrus, Ben Affleck, or Dakota Johnson, it’s all about getting that name in a headline.” Which should lead anyone who believes information is power to ask a basic question: In an era that often values “stickiness” and the almighty click-through more than accuracy, analysis, or context, has the race to be first put meaningful entertainment journalism on the endangered list?
Marrrrrraskuun ellllllokuvat
YOU'RE NEXT (US'11): The blender scene feels like a punchline to a very long setup.
— Olli Sułop̶ui̕st͏o (@osulop) November 5, 2013
THE COUNSELOR (US'13): Betrayal, fate, moist bodily apertures, metaphor, death – your usual McCarthy dose in a nice Scott wrapping.
— Olli Sułop̶ui̕st͏o (@osulop) November 11, 2013
ISÄNMAALLINEN MIES (FI'13): Varsin onnistunut fiktionalisointi hiihtodopingin kultavuosista. Vaimokuva hiertää.
— Olli Sułop̶ui̕st͏o (@osulop) November 18, 2013
AJOMIES (FI'13): Kolmiodraama pikkukaupungissa au naturel.
— Olli Sułop̶ui̕st͏o (@osulop) November 20, 2013
VI ÄR BÄST (SE'13): Perfect November antidote with impeccable casting in the lead roles. Also: I have become a sentimental old man.
— Olli Sułop̶ui̕st͏o (@osulop) November 21, 2013
ENDER'S GAME (US'13): Heavy subject, featherweight film.
— Olli Sułop̶ui̕st͏o (@osulop) November 25, 2013